Vuillard began keeping a notebook in 1888, in which he drew drawings of paintings he was studying at the Louvre and jotted down ideas for future paintings. In 1888, he was instructed by Jean-Léon Gérôme for around six weeks. In July of the next year, he completed the École des Beaux-Arts admission exams. In March 1886, Vuillard enrolled in the Académie Julian, where he was instructed by Tony Robert-Fleury, and encountered Pierre Bonnard, with whom he occupied a workshop. There Vuillard and Roussel learned the fundamentals of artistic instruction. Vuillard decided to leave the Lycée Condorcet in 1885 to work with Roussel at the workshop of the artist Diogène Maillart. Self-portrait, Aged 21 (1889) by Édouard Vuillard, located in the National Gallery of Art in Washington D.C., America Édouard Vuillard, Public domain, via Wikimedia Commons Vuillard started to visit the Louvre on a regular basis, which affected his desire to become a painter rather than follow in his father’s footsteps and join the army. Vuillard met Maurice Denis, Ker Xavier Roussel, writer ierre Véber, pianist Pierre Hermant, and others at the Lycée Condorcet. Vuillard earned a scholarship to pursue his schooling when his father died in 1884. However, in 1878, his family relocated to Paris in humble circumstances. Jean-Édouard Vuillard grew up in Cuiseaux, France. Some of these “intimist” artworks were created on a modest size, while others were created on a much bigger scale for the interiors of the persons who commissioned the work. Along with his friend Pierre Bonnard, he is sometimes referred to as an “intimist” because of his propensity for painting interior and home settings. However, he was less interested in the group’s mystical features and more interested in sophisticated private locations where intellectual conversations about poetry, music, theater, and the occult took place. Édouard Vuillard belonged to the Symbolist group Les Nabis.
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